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	<title>Cultural Archives - The Heritage Management Organization</title>
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	<description>Training Heritage Leaders</description>
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		<title>MusicSphere</title>
		<link>https://heritagemanagement.org/projects/p2/musicsphere/</link>
		
		<dc:creator><![CDATA[Theodosia Maroutsi]]></dc:creator>
		<pubDate>Fri, 20 Feb 2026 14:59:24 +0000</pubDate>
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					<description><![CDATA[<p> Digitizing, Analyzing, and Simulating Traditional Musical Organs using advanced technologies </p>
<p>The post <a href="https://heritagemanagement.org/projects/p2/musicsphere/">MusicSphere</a> appeared first on <a href="https://heritagemanagement.org">The Heritage Management Organization</a>.</p>
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										<content:encoded><![CDATA[<p>The post <a href="https://heritagemanagement.org/projects/p2/musicsphere/">MusicSphere</a> appeared first on <a href="https://heritagemanagement.org">The Heritage Management Organization</a>.</p>
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		<title>EXCALIBUR</title>
		<link>https://heritagemanagement.org/projects/p2/excalibur/</link>
		
		<dc:creator><![CDATA[Theodosia Maroutsi]]></dc:creator>
		<pubDate>Wed, 18 Feb 2026 10:30:21 +0000</pubDate>
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					<description><![CDATA[<p>Advanced Toolkits for Enhanced Study, Conservation, and Restoration in Burial Excavations and Findings</p>
<p>The post <a href="https://heritagemanagement.org/projects/p2/excalibur/">EXCALIBUR</a> appeared first on <a href="https://heritagemanagement.org">The Heritage Management Organization</a>.</p>
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										<content:encoded><![CDATA[<p>The post <a href="https://heritagemanagement.org/projects/p2/excalibur/">EXCALIBUR</a> appeared first on <a href="https://heritagemanagement.org">The Heritage Management Organization</a>.</p>
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		<title>HerMaP Mexico</title>
		<link>https://heritagemanagement.org/projects/p2/hermap-mexico/</link>
		
		<dc:creator><![CDATA[Theodosia Maroutsi]]></dc:creator>
		<pubDate>Fri, 31 Oct 2025 13:58:29 +0000</pubDate>
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					<description><![CDATA[<p>Mapping, training, and connecting heritage actors across Mexico's northern border States...</p>
<p>The post <a href="https://heritagemanagement.org/projects/p2/hermap-mexico/">HerMaP Mexico</a> appeared first on <a href="https://heritagemanagement.org">The Heritage Management Organization</a>.</p>
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										<content:encoded><![CDATA[<p>The post <a href="https://heritagemanagement.org/projects/p2/hermap-mexico/">HerMaP Mexico</a> appeared first on <a href="https://heritagemanagement.org">The Heritage Management Organization</a>.</p>
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		<title>Conferences &#124; Meetings &#124; Webinars</title>
		<link>https://heritagemanagement.org/projects/p1/conferences-meetings-webinars/</link>
		
		<dc:creator><![CDATA[Theodosia Maroutsi]]></dc:creator>
		<pubDate>Wed, 18 Sep 2024 10:15:41 +0000</pubDate>
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					<description><![CDATA[<p>Conferences</p>
<p>The post <a href="https://heritagemanagement.org/projects/p1/conferences-meetings-webinars/">Conferences | Meetings | Webinars</a> appeared first on <a href="https://heritagemanagement.org">The Heritage Management Organization</a>.</p>
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<li id="menu-item-12639" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-12639"><a href="https://heritagemanagement.org/conference/archive/5th-conference/">5th Conference</a></li>
<li id="menu-item-12642" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-12642"><a href="https://heritagemanagement.org/conference/archive/6th-conference/">6th Conference</a></li>
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<li id="menu-item-12640" class="menu-item menu-item-type-post_type menu-item-object-post menu-item-12640"><a href="https://heritagemanagement.org/teach-for-future-conference/">8th Conference</a></li>
<li id="menu-item-12644" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-12644"><a href="https://heritagemanagement.org/conference/">9th Conference</a></li>
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<h2 style="text-align: center" class="vc_custom_heading" >A Continuous Procedure</h2><div class="vc_empty_space"   style="height: 32px"><span class="vc_empty_space_inner"></span></div>
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<p><strong>The Heritage Management Organization</strong> (<strong>HERITΛGE</strong>) was established in November 2008 with the goal of enabling key heritage managers, through targeted training, to independently transform heritage assets from decaying objects of study to dynamic sources of learning, community identity and economic development.</p>
<p><strong>HERITΛGE</strong> trains professionals in the management of heritage sites, independently of project specifics. Training practitioners in the essential skills and best practices which define heritage management is at the heart of the HERITΛGE mission.</p>
<p>Since its founding HERITΛGE has trained hundreds of individuals and organizations in more than 50 countries and is now on course to impact a quarter of global heritage hotspots by the year 2025.
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<p><strong>HERITΛGE</strong>, having already contacted <strong>five international conferences</strong> and a series of educational programmes, is proposing a new strategic approach that is focused on the human-citizen and his interaction with the environment, the cultural procedures and the ones that continue to be produced.</p>
<p>Launching this new strategy in 2019 with <strong>HerMa Hub: Fostering Communities</strong> and in partnership with <a href="https://eleusis2021.eu/?lang=en"><strong>Eleusis 2021 European Capital of Culture</strong></a> we will attempt to present innovative theories and practices of activating local communities with particular emphasis on their importance for preserving and promoting culture.</p>
<p>Distinguished <strong>academics</strong>, as well as pioneering researchers and <strong>professionals</strong> in the field of culture, along with <strong>groups of citizens</strong> active in the field of heritage and the community affairs will be invited to Elefsina to attend the Conference and submit their ideas for two days. by lectures in round tables, presentations and workshops.</div>
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<p>The post <a href="https://heritagemanagement.org/projects/p1/conferences-meetings-webinars/">Conferences | Meetings | Webinars</a> appeared first on <a href="https://heritagemanagement.org">The Heritage Management Organization</a>.</p>
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		<title>ICH The Gambia</title>
		<link>https://heritagemanagement.org/projects/p2/ich-thegambia/</link>
		
		<dc:creator><![CDATA[Theodosia Maroutsi]]></dc:creator>
		<pubDate>Mon, 16 Dec 2024 13:22:23 +0000</pubDate>
				<guid isPermaLink="false">https://heritagemanagement.org/?post_type=single_page_project&#038;p=12733</guid>

					<description><![CDATA[<p>The Gambia’s Intangible Cultural Heritage (ICH) Landscape</p>
<p>The post <a href="https://heritagemanagement.org/projects/p2/ich-thegambia/">ICH The Gambia</a> appeared first on <a href="https://heritagemanagement.org">The Heritage Management Organization</a>.</p>
]]></description>
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			<p style="text-align: right;">001/2022</p>
<h4 style="text-align: right;">The Hunting Devil</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Performing art, social practice and rituals</p>
<p style="text-align: right;">Banjul</p>

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			<p>The Hunting Devil is a Masquerade, decorated with hunted animal apparels and leaves of raffia palm tree for costume. In the bearer community, the element is enacted during Christmas and New Year festivities.</p>
<p>Its origin can be traced from Freetown in Sierra Leone, where liberated Africans slaves were resettled.</p>
<p>The element is male dominated but both women and children also participate in the singing and dancing.</p>

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			<p style="text-align: right;">002/2022</p>
<h4 style="text-align: right;">Manyobitoo (Wedding ceremony)</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Social practices, rituals and festive events</p>
<p style="text-align: right;">Bakau, Kanifing Municipality</p>

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			<p>‘‘<em><strong>Manyobitoo</strong></em>’’, is a ritual enacted in most Mandinka societies. The practice of the element is considered a big prestige for a girl child.</p>
<p>The ceremony is pre- planned as it requires adequate preparation. Usually, the timeline for the event is determined by the parents of the bride who fix a date for it. The ceremony begins at the bride’s parent’s house. Close relatives and neighbors grace the occasion.</p>
<p>At night, the bride (Manyoo), dressed in traditional costume, is accompanied to the house of the bridegroom.</p>

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			<p style="text-align: right;">003/2022</p>
<h4 style="text-align: right;">Babampurang janno<br />
(M), Mbotu (W) (Baby Wrapper)</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Knowledge and practices concerning nature and the universe</p>
<p style="text-align: right;">Jeshwang, Kanifing Municipality</p>

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			<p>Baby Wrapper also called <em><strong>Babampurango in Mandinka, Mbotu</strong></em> in Wolof, is used by women to lift their babies on their back.</p>
<p>Whenever this material gets burnt, an outbreak of diarrhea will affect all babies within the community. <em><strong>Ba Bampurang janno</strong></em>, a traditional ceremony where all nursing women and their children converge at the village square to enact the element. Rituals are performed by <em><strong>Kanyelengs</strong> </em>(traditional communicators).</p>
<p>The element is practiced by the bearer community as a mitigating factor to curb the spread of the outbreak. The element is a women- led element.</p>

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			<p style="text-align: right;">004/2022</p>
<h4 style="text-align: right;">Traditional Gardening Technique</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Traditional craftsmanship</p>
<p style="text-align: right;">Sukuta, Kombo North District, West Coast Region</p>

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			<p>Vegetable gardening is not just an economic activity for livelihood; it is a cultural heritage that is considered as a legacy in the bearer community of Sukuta.</p>
<p>The Practitioners use local techniques such site location; preparation of beds; applying compost and nursery bed.</p>
<p>They also use crude implements like the hoe; periodic turning of the soil to keep the seedlings healthy and mulching to minimize the effects of evapo- transpiration.</p>
<p>They also use traditional knowledge to store seeds for preservation.</p>

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			<p style="text-align: right;">005/2022</p>
<h4 style="text-align: right;">Oyster Harvesting</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Knowledge and practices concerning nature and the universe</p>
<p style="text-align: right;">Lamin, Kombo North District, West Coast Region</p>

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			<p>Oyster harvesting is crucial for the lives and livelihood of members of the bearer community.</p>
<p>The element is practiced by women who paddle canoes into the creeks to obtain the oysters.</p>
<p>With the aid of gloves and simple tools such as knives, hammer and cutlasses, the women detach the fully grown oyster from mangroves, where it develops.</p>
<p>The women are accompanied by their daughters who take care of the younger children as they sing lullabies. It is a women-led practice.</p>

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			<p style="text-align: right;">006/2022</p>
<h4 style="text-align: right;">Community Tribunal</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Social practice</p>
<p style="text-align: right;">Busumbala, Kombo North District, West Coast Region</p>

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			<p>Local Tribunal, also called Bulundaa in Mandinka, is a council of elders consisting of the eldest male member from each of the founding families of the community.</p>
<p>The council of elders ensures there is law and order in the community on all social issues as communal land tenure system, conflict resolution, and so on.</p>
<p>However, as the powers of the council of elders dwindles gradually, the role of each family head as the basic unit of society become more pronounced.</p>

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			<p style="text-align: right;">007/2023</p>
<h4 style="text-align: right;">Playing of the Tabulo</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Performing art</p>
<p style="text-align: right;">Badibu Badibu, North Bank Region</p>

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			<p>The Playing of the <em><strong>tabulo</strong> </em>is the beating of a drum-like instrument by a practitioner, whose primary aim is to transmit a message that is understood by members of the bearer community. The instrument is locally known as tabulo in Mandinka and tabala in Wolof.</p>
<p>In the bearer community of Badibu Kerewan, there are three kinds of tabulo such as – the Fatty-ba tabulo, the Jumma tabulo and the Yessa kunda tabulo.</p>
<p>The frequency of playing the tabulo is determined by the information it relays.</p>

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			<p style="text-align: right;">008/2023</p>
<h4 style="text-align: right;">Sutoo Kankurang aadoo</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Performing art and social practice</p>
<p style="text-align: right;">Niumi Kanuma, North Bank Region</p>

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			<p>The practice of <em><strong>Sutoo Kankurang</strong></em> is led by the <em><strong>Nyansingbaa</strong> </em>who determines the time and nature of the performance.</p>
<p>When the Sutoo Kankurang appears, it finds village women already converged at the village square as they sing dedicated songs. While enacting the performance, the masquerade dislodges its hat on the ground and makes use of its spiritual prowess to lift it with its leg to its head.</p>
<p>In the event the masquerade is unable to pick its hat, it will be assisted by the Nyansingbaaa through spiritual means.</p>

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			<p style="text-align: right;">009/2023</p>
<h4 style="text-align: right;">Bamba malayandoo</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Social practice and rituals</p>
<p style="text-align: right;">Niumi Berending, North Bank Region</p>

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			<p>The keeping of the crocodile is known as <em><strong>Bamba malayandoo</strong></em> in Mandinka. It is fostered over a period of time as members of the bearer community avoid fishing from the stream in observance of a taboo &#8211; It is widely believed that whosoever hunts fish from the said stream shall encounters a mysterious death. This allows the crocodiles to fend freely on the fishes.</p>
<p>The stream is visited by many people who go there to seek prayers from the sacred crocodiles and sometimes swim in its waters.</p>

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			<p style="text-align: right;">010/2021</p>
<h4 style="text-align: right;">Koo bondoo</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Disaster risk reduction and sustainable management of natural resources</p>
<p style="text-align: right;">Katchang, Upper Baddibou District, North Bank Region</p>

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			<p><em><strong>Koo bondoo</strong></em> requires digging of pits which are filled with salty water and letting the solar radiation to evaporate all the liquid, leaving behind the crystal salt. The salt is then removed and washed with salty water to eliminate any dirt on it.</p>
<p>In most coastal communities, the activity of Koo bondoo is enacted by women.</p>
<p>Salt is used to preserve food and add flavor to their diets. Salt is also used as a trade commodity by practitioners.</p>

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			<p style="text-align: right;">011/2023</p>
<h4 style="text-align: right;">Wrestling (Kayegak/booray)</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Social practice</p>
<p style="text-align: right;">Foni Kanilai, Foni Kansala District, West Coast Region</p>

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			<p>Wrestling locally called <em><strong>Kayegak</strong> </em>in Jola and booray in Wolof is a form of traditional game which involves two competitors.</p>
<p>In the bearer community of Kanilai, the enactment of the element is led by a practitioner known as the <em><strong>Akittaw</strong> </em>or, sometimes by a flute player.</p>
<p>The various forms of wrestling includes and not limited to <em><strong>Butebab</strong> </em>(lifting of the opponent up); <em><strong>Nyanai</strong> </em>(bowing down of the head); <em><strong>Egutai</strong> </em>(holding the shoulder of the opponent and lift with the aid of your back); <em><strong>Fukaynaf</strong></em> (holding the leg of the opponent and push backwards); <strong><em>Ellongai</em> </strong>(hitting of the opponent with the head) and <em><strong>Bolleirai</strong> </em>(throwing of the opponent downwards).</p>

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			<p style="text-align: right;">012/2023</p>
<h4 style="text-align: right;">The Cultural practice of Kumpo</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Performing art</p>
<p style="text-align: right;">Jakor, Foni Bintang District, West Coast Region</p>

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			<p>The <em><strong>Kumpo</strong> </em>Masquerade is associated with the devil. It is dressed by an elderly man known as the <strong><em>Asolao eti Kumpoi</em></strong> using raffia palm leaves with ropes obtained from a baobab tree.</p>
<p>The stick attached on its head is obtained from a tree called <em><strong>Kalindak</strong> </em>(elastic wood).</p>
<p>The Asolao eti Kumpoi leads the enactment of the element. A special tune is played with songs dedicated to the masquerade as it performs.</p>
<p>At the climax of the performance, the Kumpo dislodges its hat in a show of skillfulness and display of talent which it replicates as it takes back its hat.</p>

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			<p style="text-align: right;">013/2023</p>
<h4 style="text-align: right;">Butusob dance</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Social practice and rituals</p>
<p style="text-align: right;">Krunnulai Village, Foni Kansala District, West Coast Region</p>

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			<p><em><strong>Butusob</strong></em> is a cultural dance performed by Jola men who are protected with jujus and ‘‘<em><strong>Kundanai</strong> </em>(a protective medicinal food eaten for protection)’’. The men are often accompanied by women who beat two irons locally called ‘‘<em><strong>fulobokaf/kulobokak</strong></em>’’.</p>
<p>The beating of the metals by women is known as ‘‘<em><strong>enagayyeti balengse ngab</strong></em>’’, accompanied by singing; while the men brandish their knives and guns as they perform the dance.</p>
<p>At the climax, the highly fortified men begin to rub knives and razor blades over their bodies as they attempt to hurt themselves but unto no avail. Others with guns also try to shoot at themselves while the gun remain mute due to the protection by the Kundanai.</p>

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			<p style="text-align: right;">014/2023</p>
<h4 style="text-align: right;">Foday Kabba Dumbuya la tariko</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Oral tradition and expression</p>
<p style="text-align: right;">Kiang Genieri, Lower River Region</p>

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			<p>The story of <em><strong>Foday Kaba Dumbuya</strong></em> is recollected by members of the bearer as a courageous man who razed many Soninke settlements but failed to emerge victorious during his encounter with the community of Genieri.</p>
<p>The story highlights heroism, resistance and ultimate subjugation of communities by Foday KabaDumbuya, a Jihadist leader.</p>
<p>However, despite fierce fight which led to many captives throwing themselves into the well against enslavement, Foday Kaba could not withstand the level of resistance and has to finally budge and fled the region.</p>

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			<p style="text-align: right;">015/2023</p>
<h4 style="text-align: right;">Nyansing denkiloo</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Oral tradition and expression</p>
<p style="text-align: right;">Kiang Kwinella, Lower River Region</p>

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			<p>The <em><strong>Nyansing denkiloolu</strong></em> are sung by members of the bearer community on specific occasions such as initiation ceremonies.</p>
<p>Young initiates are made to sing songs meant to inculcat e societal norms and values. The songs they sing bear connotative meanings which initiates are required to imbibe and grasp the meaning.</p>
<p>There are also proverbs which initiates are taught alongside the songs. These proverb are locally called <em><strong>Passingho</strong></em>. They also teach ethics, morals, norms and values meant to shape the initiates to become fully trained and informed.</p>

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			<p style="text-align: right;">016/2023</p>
<h4 style="text-align: right;">Barawulo</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Social practice, rituals and festive events</p>
<p style="text-align: right;">Jarra Pakalinding, Lower River Region</p>

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			<p>The enactment of <em><strong>Barawulo</strong> </em>is led by a camp Leader (<strong><em>Juju Mansa</em></strong>), who gives both verbal instructions and through gestures as the event unfolds.</p>
<p>Often, men who have undergone certain rituals and are spiritually prepared, take the lead in the procession as they brandish swords while they cut at themselves.</p>
<p>Women, who are lined up behind the men, sing indigenous songs and clap as they dance in a uniform pattern. The women also demonstrate the tilling of the soil with long hoes while they dance.</p>
<p>Three drummers also accompany the procession to amplify the songs being sung by women.</p>

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			<p style="text-align: right;">017/2021</p>
<h4 style="text-align: right;">Jiidaano and Korondo (Rain rituals)</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Knowledge concerning nature and the universe</p>
<p style="text-align: right;">Bajana, Kiang West, Lower River Region</p>

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			<p><em><strong>Jiidaano</strong> </em>is the process of invoking mother nature to bless them with rain through prayers and sacrifices at shrines. It is a ritual performed in many rural communities. The practice of the element is enacted by women accompanied by children. Kola nuts and salt are used to share among themselves as charity.</p>
<p>In times of heavy downpour leading to flash floods, they resort to <em><strong>korondoo</strong> </em>practice to cease rainfall.</p>
<p>On the contrary, in times of drought, the do the same for the downpour of rain to cease.</p>
<p>There are several kinds of korondoo; placing mound of sand at road intersection; <em><strong>kurulungo</strong></em>; piercing a live scorpion with a stick and drying it upside down; drying of a pair of bellows locally called <em><strong>Kurajaa</strong></em>.</p>

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			<p style="text-align: right;">018/2021</p>
<h4 style="text-align: right;">Moofing jaaraloo</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Knowledge concerning nature and the universe</p>
<p style="text-align: right;">Jali, Kiang West District, Lower River Region</p>

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			<p>Traditional healing known as <em><strong>moofing jaaraloo</strong></em> or <em><strong>moriyaa</strong></em> is practiced by many people for their health and wellbeing. Herbs such as <em><strong>kuntangJaawo</strong></em>, <em><strong>sinjango</strong> </em>and <strong><em>sangfito</em> </strong>and <em><strong>faara</strong> </em>are used for the treatment of <strong><em>fusibaa</em> </strong>(measles) and other diseases.</p>
<p>Herbalists obtain herbs from the forest where they often go in search of a particular medicinal plant. In the process, they recite incantations before they dig the medicinal plants.</p>
<p>Herbs are usually boiled or steamed, soaked or pounded and put into water for drinking or for bodily application.</p>

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			<p style="text-align: right;">019/2021</p>
<h4 style="text-align: right;">Danayaa and fayrlaa</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Knowledge and practices concerning nature and the universe</p>
<p style="text-align: right;">Kuli Kunda around Kiang West National Park (KWNP)</p>

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			<p>Traditional hunting or <strong><em>fayrlaa</em> </strong>is practised by a certain clan or family called <em><strong>danoo</strong></em>. The community depends on this family for wild meat nutrition.</p>
<p>The practice begins at home with a series of incantations or spiritual soothsaying. Hunting is practiced by men in small groups or individually, in the bush and during the night.</p>
<p>Hunters usually return home at dawn. They use guns, knives, cutlasses and sometimes bows and arrows as weapons, and they take dogs with them to chase the prey.</p>

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			<p style="text-align: right;">020/2023</p>
<h4 style="text-align: right;">Lip and gum tattooing</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Social practice and rituals</p>
<p style="text-align: right;">Kaur Wharf Town, Central River North</p>

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			<p>Lip and gum tattooing Also called <em><strong>Tukagol/sukagol</strong></em> is largely practiced by the <em><strong>Toro boo, Laubeh</strong></em> and <em><strong>Chubalos</strong> </em>sections of the Fula tribe.</p>
<p>The element is carried out using a set of thorns or needles used to pierce the gums or lips of the doer.</p>
<p>While women practice tattooing to beautify themselves; men do it as a curative measure. A red bean-like seed locally called <em><strong>Fantu</strong> </em>is mixed with the spilled blood of the tattooed person and used as Juju for protection.</p>

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			<p style="text-align: right;">021/2023</p>
<h4 style="text-align: right;">Tabaah ndaal</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Social practice and Traditional craftsmanship</p>
<p style="text-align: right;">Kerr Ramatoulie, Central River Region North</p>

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			<p><em><strong>Pottery</strong> </em>also locally called <em><strong>Tabaah ndaal</strong> </em>is the molding of clay into objects of various sizes and pattern. The practice of the element is enacted by women who belong to the <em><strong>Nyenno clan</strong></em>.</p>
<p>They obtain the clay from the swamps which they mold into different objects and later burnt into finished product. Usually, the collection of raw material is done during the dry season and stored at homes.</p>
<p>The objects produced by them are either used for household usage or sold out at the weekly market called <em><strong>Lumo</strong></em>. Their female children do also make toys out of the residue of clay.</p>

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			<p style="text-align: right;">022/2023</p>
<h4 style="text-align: right;">Munkutwo</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Social Practice and festive event</p>
<p style="text-align: right;">Kudang village, Central River South</p>

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			<p><em><strong>Munkutuwoo</strong> </em>is the pounding of rice grains into rice paste and baked into cake. The practice of the element involves series of stages. Rice cake festival is often held during the begining of the farming season when the Wuri Kankurang appears and makes certain utterances which signifies the scheduling of the date for the event.</p>
<p>Other masquerades that participate at the event are the <em><strong>Nyankiri</strong> </em>and <em><strong>Passo</strong></em>.</p>
<p>The purpose of the ceremony is primarily aimed at praying to their gods for a bumper rainy season.</p>

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			<p style="text-align: right;">023/2023</p>
<h4 style="text-align: right;">Bang dokuwo</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Traditional craftsmanship</p>
<p style="text-align: right;">Majumba village, Central River Region North</p>

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			<p>Bamboo knitting involves the collection of bamboo sticks from the bank of the River Gambia, stich them into Tara beds and furniture. In the community of Majumba, both men and women practice the element as men make beds and chairs whereas women make stools and brooms.</p>
<p>Due to the scarcity of the bamboo plants in the swamps, most practitioners do harvest the plant before they are fully matured which affects the durability of the products.</p>

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			<p style="text-align: right;">024/2023</p>
<h4 style="text-align: right;">Chere, Lachirry, Bagasaab, &amp; Nyelen</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Social practice and Traditional craftsmanship</p>
<p style="text-align: right;">Mamud fana, Central River Region South</p>

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			<p>The traditional food preparation of <em><strong>Chere</strong> </em>and <em><strong>Nyelen</strong> </em>involves distinct stages. Harvested coose or corn is crushed through pounding by women. Later, the powdered product is then rolled by women with the aid of bare hands.</p>
<p>Once it is fully heated, the steamed version and is thoroughly mixed with a kind of sap locally called <em><strong>Lallo</strong> </em>from a tree called <em><strong>Mbeb</strong> </em>which adds flavor to the food and makes it slippery.</p>
<p>The re-steaming of the Chere or Nyelen is done intermittently on intervals of up to seven times.</p>

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			<p style="text-align: right;">025/2023</p>
<h4 style="text-align: right;">Ndewtungu</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Social Practice</p>
<p style="text-align: right;">Sowe Kunda, Central River Region South</p>

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			<p><em><strong>Ndewtungu</strong> </em>is a typical Fula Wedding Ceremony in which both the bride and the groom are wed. The process of the ceremony lasts for four days and the methodology of its practice is peculiar to the Fula community.</p>
<p>As a process, a marriage ceremony precedes the wedding during which, the prospective husband provides all that is required including a young female cow (heifer) locally called <em><strong>Tengeh</strong></em>.</p>
<p>The wedding ceremony lasts for four days and the first three days are held at the compound of the bride. The bridegroom also attends the wedding.</p>

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			<p style="text-align: right;">026/2023</p>
<h4 style="text-align: right;">Wurundoo (weaving)</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Traditional craftsmanship</p>
<p style="text-align: right;">Borokanda Kasseh, Upper River Region North</p>

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			<p>Weaving of cotton used to be locally practiced in most communities in the Upper River Region of The Gambia. This was due to the cultivation of cotton as the main cash crop in the region.</p>
<p>The traditional method of weaving is done by both men and women, who often collect the raw cotton from the farm to their makeshift workshops for production.</p>
<p>After the harvest of the cotton, women often collect the wool to produce thread by the use of a locally made loom.</p>

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			<p style="text-align: right;">027/2023</p>
<h4 style="text-align: right;">Teng dolo soo/Kawa wak/Jam sengar/Chokgol</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Social practice &amp; rituals</p>
<p style="text-align: right;">Sotuma Samba Koi, Upper River Region South</p>

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			<p>Palm wine, also called <em><strong>Teng dolo soo</strong> </em>in Mandinka; <em><strong>Kawa wak</strong></em> in Jola; <em><strong>Jam sengar</strong> </em>in Wolof and <em><strong>Chokgol</strong> </em>in Fula is the tapping is the process of extracting sap of various species of palm trees. The process of palm wine tapping comprise of climbing the palm tree, making small pores in the trees’ bark with the aid of a cutlass or knife.</p>
<p>The most commonly tapped palm trees are the oil palm as well as the raffia palm. Palm wine is a mildly alcoholic drink, often consumed fresh but can also be stored to ferment.</p>
<p>The use of palm wine by practitioners is usually for diverse reasons. While it is primarily used for consumption and in some cases for medicinal reasons, it is also used in almost all rituals.</p>

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			<p style="text-align: right;">028/2023</p>
<h4 style="text-align: right;">Wulakono Dutoo (M), Ndimbe (W)</h4>
<p>&nbsp;</p>
<p style="text-align: right;">knowledge and practices concerning nature and the universe</p>
<p style="text-align: right;">Sutukoba, Upper River Region North</p>

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			<p>The process of gathering, processing and preservation of leaves, fruits and seeds is done in many Gambia rural communities. Among the many food gathered by the bearer community, <em><strong>Wulakono dutoo</strong></em>, a kind of tree which grows wildly in the forest.</p>
<p>The element is also called <em><strong>Ndimbe</strong> </em>in Wolof. The unripe fruit is often peeled, dried to be preserved and later used for cooking.</p>

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			<p style="text-align: right;">029/2021</p>
<h4 style="text-align: right;">Tibadaa and Tibang singo (Thatching)</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Disaster risk reduction and sustainable management of natural resources</p>
<p style="text-align: right;">Badidibu Minteh Kunda. North Bank Region</p>

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			<p>Thatching or <em><strong>tibadaa</strong> </em>is the craft of building a roof with the use of dry vegetation called <em><strong>njamaloo</strong></em>, a type of locally available grass to shed water away from the inner roof.</p>
<p>Increasingly uncommon, it is still an important source of shelter for rural communities.</p>
<p>There are two forms of thatching – tibadaa and tibang singo. The latter is used to revamp a house already thatched.</p>
<p>Njamaloo is harvested and plaited into braids to cover a roof or make a fence around the compound. At the apex of the roof, <em><strong>kukuwo</strong> </em>sticks are covered by <em><strong>kumbirinyasso</strong> </em>grass to shape the structure like a hat.</p>

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			<p style="text-align: right;">030/2021</p>
<h4 style="text-align: right;">Traditional methods of fishing (Kayaa, Kojewo, Dolingo, Bamoo)</h4>
<p>&nbsp;</p>
<p style="text-align: right;">Traditional craftsmanship and knowledge concerning nature and the universe</p>
<p style="text-align: right;">Baddibu Katchang, North Bank Region</p>

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			<p><em><strong>Kayaa</strong> </em>or <em><strong>sora</strong> </em>(using a reed basket for fishing), <em><strong>dolingo</strong> </em>(using hooks to catch fish in shallow waters), <em><strong>kojewo</strong> </em>(using a gourd and then removing the water) and <em><strong>bamoo</strong> </em>(creating a blockage so that fish are stranded when the tide ebbs) are traditional fishing methods practiced in the bearer community.</p>
<p>Both women and men within communities contribute to the practice of these techniques, which are sourced locally: a weaver will fabricate the net used for the <em><strong>kayaa</strong> </em>from river reed, and a carver will make the hooks from bone or scrap metal.</p>

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<p>The post <a href="https://heritagemanagement.org/projects/p2/ich-thegambia/">ICH The Gambia</a> appeared first on <a href="https://heritagemanagement.org">The Heritage Management Organization</a>.</p>
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		<title>Culture Helps</title>
		<link>https://heritagemanagement.org/projects/p2/culturehelps/</link>
		
		<dc:creator><![CDATA[Theodosia Maroutsi]]></dc:creator>
		<pubDate>Mon, 12 Aug 2024 09:40:18 +0000</pubDate>
				<guid isPermaLink="false">https://heritagemanagement.org/?post_type=single_page_project&#038;p=12311</guid>

					<description><![CDATA[<p>The post <a href="https://heritagemanagement.org/projects/p2/culturehelps/">Culture Helps</a> appeared first on <a href="https://heritagemanagement.org">The Heritage Management Organization</a>.</p>
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										<content:encoded><![CDATA[<p>The post <a href="https://heritagemanagement.org/projects/p2/culturehelps/">Culture Helps</a> appeared first on <a href="https://heritagemanagement.org">The Heritage Management Organization</a>.</p>
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		<title>HerMaP Mexico Grants Call</title>
		<link>https://heritagemanagement.org/projects/p2/mexico-grants-program/</link>
		
		<dc:creator><![CDATA[Theodosia Maroutsi]]></dc:creator>
		<pubDate>Fri, 13 Feb 2026 13:04:09 +0000</pubDate>
				<guid isPermaLink="false">https://heritagemanagement.org/?post_type=single_page_project&#038;p=14854</guid>

					<description><![CDATA[<p>Small grants supporting locally implemented heritage projects in Mexico’s northern border states.</p>
<p>The post <a href="https://heritagemanagement.org/projects/p2/mexico-grants-program/">HerMaP Mexico Grants Call</a> appeared first on <a href="https://heritagemanagement.org">The Heritage Management Organization</a>.</p>
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										<content:encoded><![CDATA[<section class="block "><div class="container"><div class="row"></div></div></section><div class="col-md-9 column"></div><div class="vc_btn3-container vc_btn3-right" ><a class="vc_general vc_btn3 vc_btn3-size-md vc_btn3-shape-rounded vc_btn3-style-modern vc_btn3-color-grey" href="https://heritagemanagement.org/projects/p2/hermap-mexico-grants-es/" title="" target="_blank">ESPAÑOL</a></div>
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<p>The post <a href="https://heritagemanagement.org/projects/p2/mexico-grants-program/">HerMaP Mexico Grants Call</a> appeared first on <a href="https://heritagemanagement.org">The Heritage Management Organization</a>.</p>
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		<title>Africa Grants Program</title>
		<link>https://heritagemanagement.org/projects/p2/africa-grants-program/</link>
		
		<dc:creator><![CDATA[Theodosia Maroutsi]]></dc:creator>
		<pubDate>Wed, 21 Feb 2024 15:45:40 +0000</pubDate>
				<guid isPermaLink="false">https://heritagemanagement.org/?post_type=single_page_project&#038;p=11969</guid>

					<description><![CDATA[<p>HERITΛGE is launching a new call for concept notes for small grants ($5000-$50000) for organizations, groups, and individuals working with heritage in Africa, part of our HerMaP-Africa Project which is supported by the Mellon Foundation’s Humanities in Place program...</p>
<p>The post <a href="https://heritagemanagement.org/projects/p2/africa-grants-program/">Africa Grants Program</a> appeared first on <a href="https://heritagemanagement.org">The Heritage Management Organization</a>.</p>
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										<content:encoded><![CDATA[<p>The post <a href="https://heritagemanagement.org/projects/p2/africa-grants-program/">Africa Grants Program</a> appeared first on <a href="https://heritagemanagement.org">The Heritage Management Organization</a>.</p>
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		<title>Bustani Resort &#8211; The Taveta Cultural and Agro-Ecotourism Center</title>
		<link>https://heritagemanagement.org/projects/p2/bustani-resort-the-taveta-cultural-and-agro-ecotourism-center/</link>
		
		<dc:creator><![CDATA[HERITΛGE]]></dc:creator>
		<pubDate>Thu, 06 Mar 2025 09:57:37 +0000</pubDate>
				<guid isPermaLink="false">https://heritagemanagement.org/?post_type=single_page_project&#038;p=13040</guid>

					<description><![CDATA[<p>Creation of a cultural centre and the Bustani tourist resort, funded by our small grants for African heritage initiative. </p>
<p>The post <a href="https://heritagemanagement.org/projects/p2/bustani-resort-the-taveta-cultural-and-agro-ecotourism-center/">Bustani Resort &#8211; The Taveta Cultural and Agro-Ecotourism Center</a> appeared first on <a href="https://heritagemanagement.org">The Heritage Management Organization</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>The post <a href="https://heritagemanagement.org/projects/p2/bustani-resort-the-taveta-cultural-and-agro-ecotourism-center/">Bustani Resort &#8211; The Taveta Cultural and Agro-Ecotourism Center</a> appeared first on <a href="https://heritagemanagement.org">The Heritage Management Organization</a>.</p>
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		<title>Protection of Zegie Peninsula Monastery</title>
		<link>https://heritagemanagement.org/projects/p2/protection-of-zegie-peninsula-monastery/</link>
		
		<dc:creator><![CDATA[HERITΛGE]]></dc:creator>
		<pubDate>Thu, 06 Feb 2025 20:56:07 +0000</pubDate>
				<guid isPermaLink="false">https://heritagemanagement.org/?post_type=single_page_project&#038;p=13035</guid>

					<description><![CDATA[<p>Protection and promotion of Zegie peninsula monastery historical and religious heritage. Funded by our small grants for African heritage initiative</p>
<p>The post <a href="https://heritagemanagement.org/projects/p2/protection-of-zegie-peninsula-monastery/">Protection of Zegie Peninsula Monastery</a> appeared first on <a href="https://heritagemanagement.org">The Heritage Management Organization</a>.</p>
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										<content:encoded><![CDATA[<p>The post <a href="https://heritagemanagement.org/projects/p2/protection-of-zegie-peninsula-monastery/">Protection of Zegie Peninsula Monastery</a> appeared first on <a href="https://heritagemanagement.org">The Heritage Management Organization</a>.</p>
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