Ο οργανισμός HERITΛGE με χαρά ανακοινώνει ότι θα παρουσιάσει τις δράσεις του έργου AHEAD – Accessible Heritage Experience for Audience Development κατά τη διάρκεια εκδήλωσης την Πέμπτη 18 Σεπτεμβρίου 2025, στο Romantso στην Αθήνα. Η εκδήλωση, που θα πραγματοποιηθεί από τις 18:00 έως τις 19:30, αποτελεί έναν από τους τελευταίους σημαντικούς σταθμούς του έργου,
This summer, HERITΛGE’s 11th Engaging Communities in Cultural Heritage Summer School brought together students, researchers and practitioners from around the world for two weeks of learning, discovery and collaboration. Through a range of activities, participants explored how communities engage with cultural heritage through a mix of academic sessions, practical fieldwork and creative activities. The first
By Vira Orlovska In times of war, when destruction seems to rewrite the physical and cultural landscape of a nation, a different kind of architecture emerges – one built from knowledge, skill, and an unyielding commitment to protect memory. The project “Architectural Heritage Preservation in Times of War: The Ukrainian Model” stands as a powerful
We are happy to share that TraciKwai’s Fisher Child VR Experience, one of the 75 projects funded by our Small Grants for Africa, an initiative generously supported by the Mellon Foundation, had its official launch on June 21st. Project Fisher Child is a multidisciplinary storytelling experience that weaves together VR, AR, and QR technologies. Each
What are the challenges heritage professionals face in developing inclusive and participatory approaches to heritage interpretation? HERITΛGE is a proud partner in EMPATHS, a project co-funded by the European Union to enhance community participation in heritage interpretation and empower heritage professionals. In the framework of the project, HERITΛGE and the Ethnological Museum of Thrace facilitated
* By Ahmad Mohammed, PhD Researcher, Department of Archaeology, Durham University In the previous article “Beyond Access: Rethinking Ownership, Justice, and Decolonization in Digital Repatriation Initiatives“, I have examined the conceptual landscape of digital repatriation, highlighting both the empowering potential and colonial pitfalls of returning cultural heritage in digital form. This follow-up extends that inquiry