49 heritage professionals from Rwanda took part in two recent Introduction to Heritage Interpretation Workshops, led by HERITΛGE’s Valia Stergioti. The participants included officials from educational institutions, heritage sites, tourist businesses, local communities and NGOs. 

During the workshop, which was led in person by HERITΛGE’s Valya Stergioti, they were introduced to the skills that allow heritage managers to transform mere phenomena into captivating experiences. They learned how to evoke a deep resonance within visitors at heritage sites of natural and/or cultural significance, guiding them towards profound insights and nurturing an appreciation for all aspects of heritage. Additionally, participants developed the ability to provide and receive constructive feedback to and from their peers. 

The first of the two workshops was delivered in cooperation with the Rwanda Cultural Heritage Academy to 26 heritage and tourism professionals and took place on 24-26 July at the Rwanda Heritage Hub and the Kandt House Museum in Kigali. 

“I learned to connect our participants to the site, which will help to increase our visitors satisfaction” said Esther Kakuze, Managing Director of ImuHira Ecotourism Rwanda who took part in the workshops. 

“My project and institution will benefit through my professional practice,paying attention to all details related to heritage Management and community engagement,” said Wilhelm Mugiramahoro, Operations Officer for the Rwanda Cultural Heritage Academy. 

The second workshop was delivered in cooperation with Nyanza District to 23 heritage and tourism professionals in the Nyanza District’s Visitor Centre. 

“I have gained new skills as the heritage interpretation workshop was a new subject to me. I will use them so my visitors can enjoy our site and be our ambassadors, ” siad Sandrine Uwambayinkindi from the Girampuhwe Visitor Centre.

Both workshops are part of our HerMaP Africa program which is realised with the generous support of the Mellon Foundation’s Humanities in Place program. 

Twenty National Centre for Arts and Culture (NCAC) heritage managers attended an Introduction to Heritage Management and Team Development training delivered on June  25th. The  training was designed and delivered as part of the HerMaP program, which is co-funded by the European Union. HerMaP Gambia strongly supports gender equality and youth engagement by fostering an enabling environment through capacity development initiatives.

The training  was delivered to both new and existing NCAC staff with the aim of enhancing their knowledge of heritage management and efficiently integrating new members into established teams, while supporting the NCAC’s mandate to ensure equitable gender representation at the UNESCO World Heritage Sites it oversees.

HERITΛGE Director, Dr Evangelos Kyriakidis, delivered the Introduction to Heritage Management training while Mamat Sallah, Assistant Director of Museums and Monuments at NCAC introduced trainees to the Mission, Vision, Mandates and Scheme of Service of NCAC.  

Mina Morou and Eirini Oikonomidi, HerMaP Gambia Project Manager  and Assistant Project Manager respectively, introduced trainees to team integration.

The module introducing trainees to heritage management aims to introduce the concepts of heritage and differentiate between tangible and intangible heritage, review the historical reasons for heritage categories and train participants in value-based management principles. The trainees lean how intangible heritage knowledge can inform effective heritage management strategy, to identify the role of heritage managers in the Gambia and recognize the importance and benefits of engaging with local communities.

During the training, participants gained valuable insights into team integration, including an introduction to team development and the role of culture in shaping effective teams. They learned to balance team and individual dynamics while understanding the critical role of psychological safety. In addition, they gained skills to identify and address common team development challenges, enhancing their ability to foster a cohesive and productive team environment.

Find out more about HerMaP Gambia here.

HERITΛGE is delighted to partner with the , EssaNoor Associates and  the International Association of Mediterranean and Oriental Studies(ISMEO),  on the important project to protect the Buddhist heritage of the Swat Valley in Pakistan. We are grateful to the Cultural Protection Fund of the British Council, whose support made this work possible.

The Swat Valley, known both for its rich, multicultural history and natural beauty, was a vibrant center of Buddhism in late antiquity. In the early medieval period, from the 7th century onwards, the cultural flourishing came to an end, but the artistic expression continued in a less monumental, more intimate form of rock reliefs dispersed through the valleys. The reliefs representing Buddha and Bodhisattvas attest to the Gandharan heritage of the region, but also to a unique local artistic idiom.

The Buddhist rock reliefs of Swat, in the past threatened by the extremists, are now at risk from development and climate change. The difficulties are compounded by the growing detachment of local communities from this heritage. To address these complex issues, the project documents the rock art sites and provides training in documentation, climate change adaptation, and preventive conservation. It also implements first aid conservation, to address the most pressing issues. An important part of the project is recording intangible Pashtun traditions relating to the Buddhist reliefs. Protecting these traditions will help to rebuild the link between the community and the unique heritage of the Swat Valley.

 “We work in partnership with local colleagues and local people. In helping them to develop knowledge and tools to address the impact of climate change on heritage, we hope to assist them in preserving these important sites into the future” – Dr. Maja Kominko, director of projects for the HERITΛGE Management Organization

HERITΛGE is happy to announce that on July 9th, the Messara Archaeological Museum in Crete, Greece, hosted a pivotal meeting for the AHEAD project, attended by Vincent Roles, AHEAD’s EU Project Officer, officials from the Ephorate of Antiquities of Heraklion, local cultural heritage professionals, and members our AHEAD project team. The meeting marked a major step forward in AHEAD’s mission to enhance heritage accessibility and engagement across Europe.

“It was a very interesting day. The Messara Archaeological Museum opened its doors to present us its beautiful collections. The HERITΛGE team explained what they wanted to do and how it will benefit the museum and the local communities. I am excited to see how they will implement the results of the AHEAD project in Crete!” said Roles.

The EU official provided invaluable insights into the project and expressed his enthusiasm for the work being done. His participation underscored the EU’s support for the AHEAD initiative and reinforced the team’s commitment to making cultural heritage accessible to all.

During the meeting, HERITΛGE provided an update on the AHEAD project, showcasing the ongoing work at Messara Archaeological Museum, Altamira, and Ostia Antica and highlighting the successful completion of a series of AHEAD seminars that trained cultural heritage Professionals were trained in implementing the ACED methodology, focusing on various aspects of audience development. The seminar attendees for their part emphasized the importance of co-designing actions with target audiences to ensure greater engagement and relevance.

Participants also discussed the upcoming phases of the AHEAD project, including the study visits planned for next year and the collaborations with artists who will create works within the project framework.

Emphasis was placed on how the project’s outcomes will benefit local communities by promoting cultural heritage while considering the environmental impact of such actions.

Find out more about AHEAD and its work here.

By Olivia Stockdale
News Archivist

Next year is the 70th anniversary of ITN, the British broadcaster established in 1955 as the main alternative to the BBC; they pioneered frontline broadcasts and challenged the typically diffident style of those who came before. Over these seven decades, ITN cameras have captured everything from the building of the Berlin Wall to the storming of the US Capitol. Where does this veritable avalanche of footage go? It’s carefully logged, stored, and organised by us news archivists. The job of the news archivist is a fascinating one, made all the more so by its relative obscurity. This blog post seeks to tackle some of that obscurity, whilst hopefully not reducing any of the intrigue.

The scale of information we work with is huge. Each day, we deal with material spanning 1955 to yesterday. Our footage is from all over the world and comes in seemingly endless forms – from rushes (unedited footage) to reports, film to digital. Dealing with historic material on film and tape can be the most rewarding. The role of news archivist in an active television news organisation is mainly digitally focused and working with physical objects provides a chance to deal with tangible heritage. There are over 20,000 film cans in storage, endless piles on pallets, containing undigitised coverage of the Selma marches and previously unseen rushes from the Suez Crisis. Whilst in storage, everything is open to loss; film is susceptible to vinegar syndrome, a condition which causes the film strip to decay and renders footage unviewable. Even newer footage is at risk from external factors; everyone was relieved when a shipment of recently discovered tapes from ITN’s now defunct South Africa Bureau arrived in the UK where digitisation could begin and the footage safely stored in another format. There are also rumours of tapes from ITN’s former Moscow Bureau lurking somewhere in Russia, perhaps lost to time. As such the drive to protect these for posterity through digitisation is a constant consideration. Yet as ever in heritage this must be balanced with the usual barriers like money and manpower. It is often a case of waiting for orders for certain footage to focus on.

Another key feature of working in a news archive is providing accessibility, a buzz word in the heritage field. By cataloguing footage, we make it accessible to internal newsrooms and external researchers. Accessibility to archives has a clear purpose: make viewers privy to a range of perspectives, ‘facts’, and voices. Essentially, to allow them to get as close to the ‘truth’ as is possible. It furthermore preserves and highlights historically important footage; ITN were in Trảng Bàng when the little girl, immortalised by Nick Ut’s photo, came running down the street after the napalm attack. What that photo doesn’t capture is the woman who follows behind, cradling a wounded baby in her arms. Such footage is deeply uncomfortable, but provides further insight into the suffering caused by war – and further access to the truth. ITN reporters were in Bosnia in 1992, breaking the story of human rights abuses in the Omarska and Trnopolje concentration camps. More recently, they were in Sudan, capturing evidence of the horrific crimes against humanity going on as we speak. Such footage is not just ‘for posterity’ – it is likely that it will later be used by prosecutors. Although only filmed in May, this has already been catalogued by archivists.

There is a cultural benefit which comes from making this footage accessible also. Much of ITN’s footage captures ‘everyday life’ on the local and international scale. A favourite series of mine is the Roving Reports, documentary-style reports filmed from 1957 to 1964. Reporters travelled to over 80 different countries aiming to shine a light on different parts of the world during the rapid change of those decades. They are undoubtedly aimed at a British audience; however, in many cases they document intangible heritage like dance, pottery making and music giving a fascinating visual insight into different societies often on the brink of great change. They are an invaluable resource that can be used to capture the more human aspects of our history to show to future generations, like miniature landscapes in a snow globe.

I never set out to become a news archivist; however, it has proved a great chance to deal with tangible and intangible heritage and footage ranging from the everyday to the iconic. Through this footage we are witnesses to human atrocity that can be used to gain justice, but we are also witness to simple humanity, a reminder than even with so much change, we remain the same at our core. Next year is the 70th anniversary of ITN and with such a wealth of material still needing digitisation and cataloguing, we can hopefully use the occasion to raise more awareness of our archive and further champion seven decades of unparalleled material.

QUOTE : ITN news reports in many cases they document intangible heritage like dance, pottery making and music giving a fascinating visual insight into different societies often on the brink of great change.

The participants of the 1st International Responsible Tourism & Heritage Conference

HERITΛGE is happy to share two important actions of its HerMaP Gambia Program, an introductory workshop tailor-made and delivered for officials of The Gambia’s National Environment Agency (NEA) and its participation to the 1st International Conference on Responsible Tourism Practices and Cultural Heritage Management. HerMaP Gambia is co-funded by the European Union to support the country’s heritage sector so that it can serve as a catalyst for social and economic development.

Within the framework of the program, in late January, 18 officers and managers from the NEA attended an Introduction to Heritage Management workshop, delivered by HERITΛGE’s director Dr. Evangelos Kyriakidis. The training equipped participants with a foundational understanding of heritage management principles while discussions on environmental impact assessment and heritage impact assessment provided valuable insights into safeguarding cultural and natural heritage, laying the groundwork for comprehensive heritage management strategies.

“In a fast-developing country such as The Gambia, it is important that decision-makers are aware of the importance of heritage for creating sustainable economic growth and of heritage management fundamentals,” said Dr. Kyriakidis.

The workshop was then followed up by the launch on January 24-25 of the 1st International Conference on Responsible Tourism Practices and Cultural Heritage Management, organized by the Institute for Travel and Tourism of The Gambia in cooperation with HERITΛGE, in the framework of HerMaP Gambia.

The symbiotic relationship between cultural heritage and responsible tourism was the main focus of the conference, showcasing community-driven initiatives promoting sustainability and providing valuable insights into leveraging tourism for positive impact and fostering sustainable economic development through heritage preservation.

“It is time to move on from being a paper tiger to scaling up the more active implementation of responsible tourism policy on the ground”, said ITTOG chairman and founder Adama Bah.

The conference featured a number of workshops and training opportunities that also highlighted examples from successful heritage management endeavors including the Janjanbureh Kankurang Festival, The Ninki Nanka Trail, various HerMaP initiatives, and more.

Keynote speakers, apart from Dr Kyriakidis included ITTOG’s Dr. Adama Bah, Baba Ceesay (HERITΛGE/HerMaP Gambia), Dr. Harold Goodwin (International Tourism Partnership), and Lucy McCombes (Responsible Tourism Expert).

HERITΛGE funding through its HerMaP Gambia program also enabled the participation of two nominated Gambian parliamentarians, Honorable Omar Jatto Jammeh and Honorable Alieu Baldeh.

Finally, it is worth noting that on January 23rd, HerMaP Gambia also held its steering committee and stakeholders meeting, with the participation of the National Assembly of The Gambia, NCAC, NEA, ITTOG, My Gambia, GYCC, the American Chamber of Commerce, JAYS, and a Barra VDC member.

About HerMaP Gambia: This HERITΛGE program aims to contribute to the enhancement of the cultural, creative, and sports industries as engines for social and economic development and job creation in The Gambia. Supporting The Gambia’s heritage sector, the management of Gambian Cultural Heritage is enhanced and valued. HerMaP Gambia is co-funded by the European Union and is being realized in partnership with Gambia’s National Centre for Arts and Culture (NCAC).